In the absence of sharpness, I found invitation. Edges blurred, surfaces shimmered, and ordinary forms lost their grip on certainty. Vision—limited and imperfect—shifted from seeing to sensing, as I surrendered to essence rather than detail.

Myopia, once a limitation, became an unexpected refuge. Harsh lines soften. The clamor of everyday life—flaws, demands, distractions—melts away. A tree becomes a gesture. Doors appear where none exist. Color and light remain, but form surrenders.

Inspired by color field artists like Mark Rothko, Aaron Siskind, and Hiroshi Sugimoto, these photographs embrace the in-between: not quite form, not quite void. Color, texture, and light whisper rather than declare. Presence becomes elusive, even sacred.

This work exists in the fragile space where calm meets chaos, where vulnerability doesn’t hide but floats freely. It reflects a different way of being—with less pressure to define, judge, or correct.

Between Light and Darkness offers a different kind of clarity: one born not from precision, but from acceptance. It invites viewers to dwell in ambiguity—to find stillness in imperfection, and softness where the world once felt too sharp.